Whether by the fireplace, while cooking a delicious meal or in your favourite corner at home, winter is the moment to wind down and spend some quality time –and a good book is always a safe bet. We asked a group of international designers and architects to share what’s on their radar for inspiration this new year. Here are some of their top picks.
Golnaz Afkhami
Founder and Creative Director at Renocon Design Center
Golnaz Afkhami is the founder and Creative Director at Renocon Design Center, an interior design studio in Vancouver where a globally curated collection of finishes, textures, materials, and products are housed.
Truly passionate about creating spaces, she admires Creating Innovators: The Making of Young People Who +Will Change the World by Tony Wagner. “Reading this book has aligned my intuition that creating a space that moves people and that comes from intention has the magic of cascading into many other creations by the users”, she says.
![vibia-the-edit-winter-reading-golnaz-afkhami-1 Vibia The Edit - Winter Reading -](https://52.212.31.130/wp-content/uploads/2023/01/vibia-the-edit-winter-reading-golnaz-afkhami-1.jpg)
“Reading this book has aligned my intuition that creating a space that moves people and that comes from intention has the magic of cascading into many other creations by the users”
Matthew McConaughey’s Greenlights is another pick, which made her “appreciate the professional journey that it has taken to arrive at where I am today”. Fearlessly starting her career at 23 in an industry “dominated by men”, she admits that her overwhelming need to do what she was passionate about allowed her to be fearless in the face of all that stood in her way.
Esther Rico
Founder of Esther Rico Design & Business
Barcelona-based interior designer Esther Rico believes each interior should tell the story of those inhabiting that space. Her human-centred design approach was influenced by Material Designers Book, which portrays “how design can change the world”; a transformation starting from the material, she believes, “the very beginning”.
Rico also cites Oscar Guayabero’s essay The Design for the Day Before, which “addresses design not as a medium but as an intermediary” from a multidisciplinary perspective.
“addresses design not as a medium but as an intermediary”
![vibia-the-edit-winter-reading-esther-rico Vibia The Edit - Winter Reading -](https://52.212.31.130/wp-content/uploads/2023/01/vibia-the-edit-winter-reading-esther-rico.jpg)
Her last pick is El diseño invisible. Siete lecciones sobre la intervención culta en el hábitat humano, by Norberto Chaves, who she admires for his “anthropological vision of design, his sensitivity to details and his critical insights into the profession”.
Carmelo Zappulla
Founder and CEO at External Reference
Italian-born architect Carmelo Zappulla is founder and managing director of External Reference, an experimental architectural studio developing international work on different scales: from exhibition spaces to urban, interior and product design.
One of his forever favourites is The Eyes of the Skin: Architecture and the Senses by Juhani Pallasmaa. In this essay, the Finnish theorist emphasises the precedence of eyesight over any other sense in the field, which “impoverishes the architectural experience” when “reduced to a simple two-dimensional image”.
On this same line, he also recommends Franco Arminio’s La cura dello sguardo: Nuova farmacia poetica and his “care of looking at things carefully, deeply”. “Poetry is an expression of observing the details, which we can crystallise with the power of word”, he says.
![vibia-the-edit-winter-reading-carmelo-zappulla Vibia The Edit - Winter Reading - Carmelo Zappulla](https://52.212.31.130/wp-content/uploads/2023/01/vibia-the-edit-winter-reading-carmelo-zappulla.jpg)
“Poetry is an expression of observing the details, which we can crystallise with the power of word”
His research and creative process could not be such without a deep sense of nostalgia, which he shares with Louis Kahn: The Importance of a Drawing by Charlotte & Peter Fiell. “I enjoyed his claim for freehand drawing not as a representation but as a design process”, he states.